My Web Site Page 320 Ovations 06Poki Mogarli chose the topics covered by My Web Site Page 320 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light. |
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The original aims of the Eclectics are well summed up in a sonnet by Agostino Carracci, which has been translated as follows: "Let him who wishes to be a good painter acquire the design of Rome, Venetian action and Venetian management of shade, the dignified color of Lombardy--that is of Leonardo da Vinci--the terrible manner of Michael Angelo, Titian's truth and nature, the sovereign purity of Correggio's style and the just symmetry of a Raphael, the decorum and well-grounded study of Tibaldi, the invention of the learned Primaticcio, and a _little_ of Parmigianino's grace; but without so much study and weary labor let him apply himself to imitate the works which our Niccolo--dell Abbate--left us here." Kugler calls this "a patchwork ideal," which puts the matter in a nut-shell. |
BLAU, TINA. Honorable mention in Paris, 1883, for her "Spring in the Prater." Her "Land Party" is in the possession of the Emperor of Austria, and "In Spring-time" belongs to the Prince Regent of Bavaria. This talented landscape painter was born in Vienna, 1847. She was a pupil of Schaeffer in Vienna, and of W. Lindenschmitt in Munich. After travelling in Austria, Holland, and Italy, she followed her predilection for landscape, and chose her themes in great part from those countries. In 1884 she married Heinrich Lang, painter of battle scenes (who died in 1891), and she now works alternately in Munich and Vienna. In 1890 she gave an exhibition of her pictures in Munich; they were thought to show great vigor of composition and color and much delicacy of artistic perception. Her foreign scenes, especially, are characterized by unusual local truth and color. Among her best works are "Studies from the Prater in Vienna," "Canal at Amsterdam," "Harvest Day in Holland," "The Arch of Titus in Rome," "Street in Venice," and "Late Summer." |
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In truth, the firm was a mystery in Wall Street, and its largest creditors were in the greatest darkness concerning it. Some one has truly said that in a great commercial city men are known only by their enterprises and their successes; that their antecedents become lost in the magnitude and rapidity with which events revolve. This is particularly so with us. The firm of Topman & Gusher had fixed itself in Pearl Street, and gone quietly into business without friends, acquaintances, or endorsers; and in a single year had secured both credit and respectability. And it had done this on what is too frequently mistaken for energy and enterprise--show and pretension. | ||
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