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Above all, those are most subject to envy, which carry the greatness of their fortunes, in an insolent and proud manner; being never well, but while they are showing how great they are, either by outward pomp, or by triumphing over all opposition or competition; whereas wise men will rather do sacrifice to envy, in suffering themselves sometimes of purpose to be crossed, and overborne in things that do not much concern them. Notwithstanding, so much is true, that the carriage of greatness, in a plain and open manner (so it be without arrogancy and vain glory) doth draw less envy, than if it be in a more crafty and cunning fashion. For in that course, a man doth but disavow fortune; and seemeth to be conscious of his own want in worth; and doth but teach others, to envy him.

The career of Marius had hitherto been a glorious one, and it would have been fortunate for him if he had died on the day of his triumph. The remainder of his life is full of horrors, and brings out into prominent relief the worst features of his character. As the time for the consular elections approached, Marius became again a candidate for the Consulship. He wished to be first in peace as well as in war, and to rule the state as well as the army. But he did not possess the qualities requisite for a popular leader at Rome; he had no power of oratory, and lost his presence of mind in the noise and shouts of the popular assemblies. In order to secure his election, he entered into close connection with two of the worst demagogues that ever appeared at Rome, Saturninus and Glaucia.

But one has to ask oneself what exactly an imaginative man means by success, and what it is that attracts him in the idea of it. Putting aside the more obvious and material advantages,--wealth, position, influence, reputation,--a man of far-reaching mind and large ideas may well be haunted by a feeling that if he had entered public life, he might by example, precept, influence, legislation, have done something to turn his ideas and schemes into accomplished facts, have effected some moral or social reform, have set a mark on history. It must be remembered that a great writer's fame is often a posthumous growth, and we must be very careful not to attribute to a famous author a consciousness in his lifetime of his subsequent, or even of his contemporary, influence. It is undoubtedly true that Ruskin and Carlyle affected the thought of their time to an extraordinary degree. Ruskin summed up in his teaching an artistic ideal of the pursuit and influence of beauty, while Carlyle inculcated a more combative theory of active righteousness and the hatred of cant. But Ruskin's later years were spent in the shadow of a profound sense of failure. He thought that the public enjoyed his pretty phrases and derided his ideas; while Carlyle felt that he had fulminated in vain, and that the world was settling down more comfortably than ever into the pursuit of bourgeois prosperity and dishonest respectability.

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