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The eighth chapel is that of the Sposalizio, is certainly not by Aureggio, and I should say was mainly by the same sculptor who did the Presentation in the Temple. On going inside I found the figures had come from more than one source; some of them are constructed so absolutely on Valsesian principles, as regards technique, that it may be assumed they came from Varallo. Each of these last figures is in three pieces, that are baked separately and cemented together afterwards, hence they are more easily transported; no more clay is used than is absolutely necessary; and the off-side of the figure is neglected; they will be found chiefly, if not entirely, at the top of the steps. The other figures are more solidly built, and do not remind me in their business features of anything in the Valsesia. There was a sculptor, Francesco Sala, of Locarno (doubtless the village a short distance below Varallo, and not the Locarno on the Lago Maggiore), who made designs for some of the Oropa chapels, and some of whose letters are still preserved, but whether the Valsesian figures in this present work are by him or not I cannot say.

The work consists of about forty figures in all, not counting Cupids, and is divided into four main divisions. First, there is the large public sitting-room or drawing-room of the College, where the elder young ladies are engaged in various elegant employments. Three, at a table to the left, are making a mitre for the Bishop, as may be seen from the model on the table. Some are merely spinning or about to spin. One young lady, sitting rather apart from the others, is doing an elaborate piece of needlework at a tambour-frame near the window; others are making lace or slippers, probably for the new curate; another is struggling with a letter, or perhaps a theme, which seems to be giving her a good deal of trouble, but which, when done, will, I am sure, be beautiful. One dear little girl is simply reading "Paul and Virginia" underneath the window, and is so concealed that I hardly think she can be seen from the outside at all, though from inside she is delightful; it was with great regret that I could not get her into any photograph. One most amiable young woman has got a child's head on her lap, the child having played itself to sleep. All are industriously and agreeably employed in some way or other; all are plump; all are nice looking; there is not one Becky Sharp in the whole school; on the contrary, as in "Pious Orgies," all is pious--or sub-pious--and all, if not great, is at least eminently respectable. One feels that St. Joachim and St. Anne could not have chosen a school more judiciously, and that if one had daughter oneself this is exactly where one would wish to place her. If there is a fault of any kind in the arrangements, it is that they do not keep cats enough. The place is overrun with mice, though what these can find to eat I know not. It occurs to me also that the young ladies might be kept a little more free of spiders' webs; but in all these chapels, bats, mice and spiders are troublesome.

One wife, however, does not suffice to fill the nest with eggs; and the stickleback is a firm believer in the advantages of large families. So, as soon as his first mate has laid all her spawn, he sets out once more in search of another. Thus he goes on until the home is quite full of eggs, bringing back one wife after another, in proportion to his success in wooing and fighting. For, like almost all polygamists, your stickleback is a terrible fighter. The males join wager of battle with one another for possession of their mates; in their fierce duels they make fearful use of the formidable spines on their backs, sometimes entirely ripping up and cutting to pieces their ill-fated adversary. The spines thus answer to the spurs of the gamecock or the antlers of the deer; they are masculine weapons in the struggle for mates. Indeed, you may take it for granted that brilliant colors and decorative adjuncts in animals almost invariably go with irascible tempers, pugnacious habits, and the practice of fighting for the possession of the harem. The consequence is, with the sticklebacks, that many males get killed during the struggle for supremacy, so that the survivors wed half a dozen wives each, like little Turks that they are in their watery seraglios. Only the most beautiful and courageous fish succeed in gaining a harem of their own: and thus the wager of battle tells in the end for the advantage of the race, by eliminating the maimed, the ugly, and the cowardly, and encouraging the strong, the handsome, the enterprising, and the valiant. This is nature's way of preventing degeneracy.

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