My Web Site Page 233 Ovations 04Poki Mogarli chose the topics covered by My Web Site Page 233 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light. |
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A piece of music, again, without any words at all, or a song with words that have nothing in the world to do with the ideas which it is nevertheless made to convey, is often very effectual language. Much lying, and all irony depends on tampering with covenanted symbols, and making those that are usually associated with one set of ideas convey by a sleight of mind others of a different nature. That is why irony is intolerably fatiguing unless very sparingly used. Take the song which Blondel sang under the window of King Richard's prison. There was not one syllable in it to say that Blondel was there, and was going to help the king to get out of prison. It was about some silly love affair, but it was a letter all the same, and the king made language of what would otherwise have been no language, by guessing the meaning, that is to say by perceiving that he was expected to enter then and there into a new covenant as to the meaning of the symbols that were presented to him, understanding what this covenant was to be, and acquiescing in it. |
About the same time, Jacob Woolf built a boiler of large horizontal tubes, extending across the furnace and connected at the ends to a longitudinal drum above. The first purely sectional water-tube boiler was built by Julius Griffith, in 1821. In this boiler, a number of horizontal water tubes were connected to vertical side pipes, the side pipes were connected to horizontal gathering pipes, and these latter in turn to a steam drum. In 1822, Jacob Perkins constructed a flash boiler for carrying what was then considered a high pressure. A number of cast-iron bars having 1½ inches annular holes through them and connected at their outer ends by a series of bent pipes, outside of the furnace walls, were arranged in three tiers over the fire. The water was fed slowly to the upper tier by a force pump and steam in the superheated state was discharged to the lower tiers into a chamber from which it was taken to the engine. |
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Another of these emblems of joyous festivity which is frequently seen, is a vine, with its branches and purple clusters spreading in every direction, reminding us that in Eastern countries the vintage is the great holiday of the year. In the Jewish Church there was no festival so joyous as the Feast of Tabernacles, when they gathered the fruit of the vineyard, and in some of the earlier celebrations of the Nativity these festivities were closely copied. And as all down the ages pagan elements have mingled in the festivities of Christmas, so in the Catacombs they are not absent. There is Orpheus playing on his harp to the beasts; Bacchus as the god of the vintage; Psyche, the butterfly of the soul; the Jordan as the god of the rivers. The classical and the Christian, the Hebrew and the Hellenic elements had not yet parted; and the unearthing of these pictures after the lapse of centuries affords another interesting clue to the origin of some of the customs of Christmastide. | ||
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