My Web Site Page 226 Ovations 04Poki Mogarli chose the topics covered by My Web Site Page 226 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light. |
OvationsOvation 01Ovation 02 Ovation 03 Ovation 04 Ovation 05 Ovation 06 Ovation 07 Ovation 08 Ovation 09 Ovation 10 Ovation 11 Ovation 12 Ovation 13 Ovation 14 Ovation 15 Ovation 16 Ovation 17 Ovation 18 Ovation 19 Ovation 20 Ovation 21 Ovation 22 Ovation 23 Ovation 24 SitemapsSitemap 1Sitemap 2 Sitemap 3 |
Mathilde Blind, in her "Study of Marie Bashkirtseff," says: "Marie loved to recall Balzac's questionable definition that the genius of observation is almost the whole of human genius. It was natural it should please her, since it was the most conspicuous of her many gifts. As we might expect, therefore, she was especially successful as a portrait painter, for she had a knack of catching her sitter's likeness with the bloom of nature yet fresh upon it. All her likenesses are singularly individual, and we realize their character at a glance. Look, for example, at her portrait of a Parisian swell, in irreproachable evening dress and white kid gloves, sucking his silver-headed cane, with a simper that shows all his white teeth; and then at the head and bust of a Spanish convict, painted from life at the prison in Granada. Compare that embodiment of fashionable vacuity with this face, whose brute-like eyes haunt you with their sadly stunted look. What observation is shown in the painting of those heavily bulging lips, which express weakness rather than wickedness of disposition--in those coarse hands engaged in the feminine occupation of knitting a blue and white stocking!" |
The aim of these artists was to represent with sincerity what they saw, and the simple sincerity of painters who preceded Raphael led them to choose a name which Ruskin called unfortunate, "because the principles on which its members are working are neither pre- nor post-Raphaelite, but everlasting. They are endeavoring to paint with the highest possible degree of completion what they see in nature, without reference to conventional established rules; but by no means to imitate the style of any past epoch. To paint Nature--Nature as it was around them, by the help of modern science, was the aim of the Brotherhood." |
|
Now, how has a society of individuals--the community within the frontiers of a nation--met this difficulty which now confronts the society of nations, the difficulty that is of the danger of the power of an individual or a group? They have met it by determining that no individual or group shall exercise physical power or predominance over others; that the community alone shall be predominant. How has that predominance been secured? By determining that any one member attacked shall be opposed by the whole weight of the community, (exercised, say, through the policeman.) If A flies at B's throat in the street with the evident intention of throttling him to death, the community, if it is efficient, immediately comes to the support of B. | ||
This page is Copyright © Poki Mogarli. All Rights Reserved. My Web Site Page 226 is a production of Poki Mogarli and may not be reproduced electronically or graphically for commercial uses. Personal reproductions and browser or search engine caching are acceptable. | ||