My Web Site Page 206 Ovations 04Poki Mogarli chose the topics covered by My Web Site Page 206 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light. |
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But this argument supposes that the conditions of life, namely air and water, are found on Mars, and it is disputed whether they are found there in sufficient quantity. The late Professor Percival Lowell, who made a lifelong study of Mars, maintained that there are hundreds of straight lines drawn across the surface of the planet, and he claimed that they are beds of vegetation marking the sites of great channels or pipes by means of which the "Martians" draw water from their polar ocean. Professor W. H. Pickering, another high authority, thinks that the lines are long, narrow marshes fed by moist winds from the poles. There are certainly white polar caps on Mars. They seem to melt in the spring, and the dark fringe round them grows broader. |
Just beyond, upriver, lie ruins of the Ludwell House and the Third and Fourth Statehouses. In 1900-01, Col. Samuel H. Yonge, a U.S. Army Engineer and a keen student of Jamestown history, uncovered and capped these foundations after building the original seawall. A strange discovery was made here in 1955 while the foundations were being examined by archeologists for measured drawings. Tests showed that no less than 70 human burials lay beneath the statehouse walls, and an estimated 200 more remain undisturbed beneath the remaining structures or have been lost in the James River. Here may be the earliest cemetery yet revealed at Jamestown--one so old that it was forgotten by the 1660's when the Third Statehouse was erected. It is, indeed, quite possible that these burials, some hastily interred without coffins, could date from the "starving time" of 1609-10, when the settlers strove to dispose of their dead without disclosing their desperate condition to the Indians. |
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Steen (1626?-1679) was almost the opposite of Terburg, a man of sarcastic flings and coarse humor who satirized his own time with little reserve. He developed under Hals and Van Ostade, favoring the latter in his interiors, family scenes, and drunken debauches. He was a master of physiognomy, and depicted it with rare if rather unpleasant truth. If he had little refinement in his themes he certainly handled them as a painter with delicacy. At his best his many figured groups were exceedingly well composed, his color was of good quality (with a fondness for yellows), and his brush was as limpid and graceful as though painting angels instead of Dutch boors. He was really one of the fine brushmen of Holland, a man greatly admired by Sir Joshua Reynolds, and many an artist since; but not a man of high intellectual pitch as compared with Terburg, for instance. | ||
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