My Web Site Page 188 Ovations 04Poki Mogarli chose the topics covered by My Web Site Page 188 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light. |
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This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum. |
It has already been suggested that the reigns of Richard and John form a period of transition to a new age. That period closes and the new age opens with the granting of the Great Charter and the attempted revolution which followed. The reign of John was the culmination of a long tendency in English history, most rapid since the accession of his father, towards the establishment of an absolutism in which the rights of all classes would disappear and the arbitrary will of the king be supreme. The story of his reign should reveal how very near that result was of accomplishment. A monarchy had been forming in the last three reigns, and very rapidly in the reign of John, capable of crushing any ordinary opposition, disregarding public opinion and traditional rights, possessing in the new judicial system, if regarded as an organ of the king's will alone, an engine of centralization, punishment, and extortion, of irresistible force, and developing rapidly in financial matters complete independence of all controlling principles. Though the barons were acting rather from personal and selfish motives, freedom for all classes depended on the speedy checking of this steady drift of two generations. The reigns of Richard and John may be called transitional because it is in them that the barons came to see clearly the principles on which successful resistance could be founded and the absolutist tendency checked. The embodiment of these principles in permanent form in the Great Charter to be accepted by the sovereign and enforced in practice, introduces an age, the age of constitutional growth, new in the history of England, and in the form and importance of its results new in the history of the world. |
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Unconsciousness is no bar to livingness. Our conscious actions are a drop in the sea as compared with our unconscious ones. Could we know all the life that is in us by way of circulation, nutrition, breathing, waste and repair, we should learn what an infinitesimally small part consciousness plays in our present existence; yet our unconscious life is as truly life as our conscious life, and though it is unconscious to itself it emerges into an indirect and vicarious consciousness in our other and conscious self, which exists but in virtue of our unconscious self. So we have also a vicarious consciousness in others. The unconscious life of those that have gone before us has in great part moulded us into such men and women as we are, and our own unconscious lives will in like manner have a vicarious consciousness in others, though we be dead enough to it in ourselves. | ||
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