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Poki Mogarli chose the topics covered by My Web Site Page 010 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light.
 

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You could hardly find a better rough test of relative development in the animal (or vegetable) world than the number of young produced and the care bestowed upon them. The fewer the offspring, the higher the type. Very low animals turn out thousands of eggs with reckless profusion; but they let them look after themselves, or be devoured by enemies, as chance will have it. The higher you go in the scale of being, the smaller the families, but the greater amount of pains expended upon the rearing and upbringing of the young. Large broods mean low organization; small broods imply higher types and more care in the nurture and education of the offspring. Primitive kinds produce eggs wholesale, on the off chance that some two or three among them may perhaps survive an infant mortality of ninety-nine per cent, so as to replace their parents. Advanced kinds produce half a dozen young, or less, but bring a large proportion of these on an average up to years of discretion.

The figures shown in the dry-paintings are conventionalized representations of the characters in Navaho mythology and of incidents in the myth. With how many such paintings the Navaho medicine-men are familiar is an unanswered question; but more than sixty have been noted, some of them most elaborate. In making them, the ground within the ceremonial hogan is evenly covered with fine brown earth, upon which the figures are drawn with fine sands and earths of many colors allowed to flow between the thumb and the first two fingers. The Navaho become so skilled in this work that they can draw a line as fine as a broad pencil mark. Many of the paintings are comparatively small, perhaps not more than four feet in diameter; others are as large as the hogan permits, sometimes twenty-four feet across. To make such a large painting requires the assistance of all the men who can conveniently work at it from early morning until mid-afternoon.

 

On January 14th we went over the whirlpool of Marques, a most picturesque sight. On the banks of the river was plenty of rubber, _hevea_, but not of quite such good quality as that found in Brazil. Some of the trees exuded white and some yellow latex, the coloration being probably due to the quality of the soil. There were few habitations along the banks of the Pachitea River. There were tribes of the Campas (or Antis) and Cashibos Indians, the members of both races having marked Malay characteristics. Occasionally one met extraordinary people in those out-of-the-way regions. When we halted for wood, which we used instead of coal for our engine, a man some six feet four inches in height came on board--quite an extraordinary-looking person. To my amazement, when I spoke to him, he turned out to be a man of refined taste and quite highly educated. He was a Hungarian count and an officer in the Austrian army, who, having got into trouble in his own country, had gone to settle there.



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