My Web Site Page 005 Ovations 01Poki Mogarli chose the topics covered by My Web Site Page 005 without reflecting upon the choices others have made. Launching into a full discussion of all the objectives while riding a bicycle backwards down a steep hillside is another way to look at things in a different light. |
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The considerations which support such a policy on America's part are mainly these: First, that if America does not lend the assistance of her detachment from European quarrels to such an arrangement, Europe of herself may not prove capable of it. Second, that if Europe does not come to some such arrangement the resulting unrest, militarism, moral and material degeneration, for the reasons above indicated and for others to be indicated presently, will most unfavorably affect the development of America, and expose her to dangers internal and external much greater than those which she would incur by intervention. Third, that if America's influence is in the manner indicated made the deciding factor in the establishment of a new form of world society, she would virtually take the leadership of Western civilization, and her capital become the centre of the political organization of the new world State. While "world domination" by military means has always proved a dangerous diet for all nations that have eaten of it heretofore, the American form of that ambition would have this great difference from earlier forms--that it would be welcomed instead of being resisted by the dominated. America would have given a new meaning to the term and found a means of satisfying national pride, certainly more beneficial than that which comes of military glory. |
BENATO-BELTRAMI, ELISABETTA. Painter and sculptor of the nineteenth century, living in Padua since 1858. Her talent, which showed itself early, was first developed by an unknown painter named Soldan, and later at the Royal Academy in Venice. She made copies of Guido, Sassoferrato and Veronese, the Laokoon group, and the Hercules of Canova, and executed a much-admired bas-relief called "Love and Innocence." Among her original paintings are an "Atala and Chactas," "Petrarch's First Meeting with Laura," a "Descent from the Cross" for the church at Tribano, a "St. Sebastian," "Melancholy," a "St. Ciro," and many Madonnas. Her pictures are noble in conception and firm in execution. |
That day we went over eleven successive hill ranges and crossed as many little streamlets between them. My men were terribly downhearted. We had with us a Mauser and two hundred cartridges, but although we did nothing all day long but look for something to kill we never heard a sound of a living animal. Only one day at the beginning of our fast did I see a big _mutum_--larger than a big turkey. The bird had never seen a human being, and sat placidly perched on the branch of a tree, looking at us with curiosity, singing gaily. I tried to fire with the Mauser at the bird, which was only about seven or eight metres away, but cartridge after cartridge missed fire. I certainly spent not less than twenty minutes constantly replenishing the magazine, and not a single cartridge went off. They had evidently absorbed so much moisture on our many accidents in the river and in the heavy rain-storms we had had of late, that they had become useless. | ||
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